Saturday, 11 June 2011

Alice in Wonderland

Audition Notice
The Norbury Youth Theatre are holding auditions for this year’s show, Alice In Wonderland. If you are aged between 14 and 18, interested in singing, dancing or acting, we want to hear from you!
Audition Date: Sunday 3rd July 2010   Time: starts 10am. See part details for further information
Show Dates: Wednesday 16th November – Saturday 19th November 2010
Rehearsal Information: Tuesday and Friday evenings (7:30pm – 10 approx) and Sunday afternoons as arranged (2pm – finish, usually approx 5:30pm). There is a schedule so not everyone will be needed for every rehearsal.
Parts Information

Individual Auditions
Description
Audition Pieces
Alice
A brave girl thrown into a world of neither here nor there. On stage at all times. Lots of singing/dialogue.
Script: Act 1 pg 8-16, Hallway – Pool of Tears.
Song: No 4 pg 14 “Curiouser and curiouser” AND song of own choice.
White Rabbit
In most scenes. Some solo singing and some with chorus/other cast..
Script: Act 1 Pgs 34 – 38 Music hall scene.
Song: No 2 “Oh my fur and whiskers”
Cheshire Cat
Alice’s guide through Wonderland. Smaller principal role appearing throughout. Singing. Acrobatic/Gymnastic/Dancing abilities, and joint flexibility would be an advantage.
Script: Act 2 Sc1 pg 49 – 51 Wonderland
Song: No 22 “I’m mad, You’re mad...”
Other requirement: Movement demo
Mock Turtle
Act 2 sc5 only, but has 2 songs, dances and has dialogue throughout.
Script: Pgs 71-72 The seashore
Song: No 32 “Beautiful Soup”
Walrus & Carpenter
Will be seen in pairs and asked to read for both parts.
No script reading required.
Song: Act 1 sc 8 pgs 39 – 44.
Caterpillar

Script: Pg 25-28
Song: No 12 “When I become a butterfly”
Duchess

Act I + 2.Sings. Would suit female or male. Male would be in drag either as a panto dame type, or something more feminine and convincing.
Script: pg 29-31 Duchess’ kitchen and pg 68-69 court.
Song: No 14 “Speak roughly”

Tweedledum/dee
Act II Music Hall Scene Only. Two interchangeable actors. Either as identical, or as different as possible. Pair MUST be attached together as if in a 3-legged race. NB: You must audition as a double act, however we reserve the right to pick two individuals from other auditions.
No script reading required
Song: pg 37-38 Music hall scene.
Other requirements: Pre-rehearsed double act, optional.
Queen of Hearts
Act II. A Masterful woman, unwilling to listen to reason. Unhealthy obsession with beheading.
Script: Pgs 69-70 Trial scene.
Song: No 27 “Off with your head”
Other requirement: Execution voice











































The following parts will be picked from the unsuccessful principal auditions and the strongest chorus auditions. The Chorus will form the other residents of Wonderland, backing vocal groups, dancers and more.



Chorus Audition
Description
Audition Piece
Mad Hatter (& Chorus)
Work together in scene.
You may have to read to see what works.






Script: TBC depending on parts and groups.

Song: No 1. Opening and Down the rabbit hole.
March Hare (& Chorus)
Blackouts (& Chorus)
Used throughout, constantly onstage. Furniture and puppeteers. Will be required to give lines in places, and sing with the chorus, or as puppets – Oysters.
Doormouse & Baby (Puppets)
(& Blackout)
One “Blackout” to operate the puppets for the characters and give them a voice.
Lady in Waiting (& Chorus)
Queen’s PA
King of Hearts (& Chorus)
Queen’s husband, needs to “man up”
Knave of Hearts (& Chorus)
He stole those tarts...
French Mouse (& Chorus)

Will work together in scenes.
You may have to read to see what works.
Duck (& Chorus)
Lory (& Chorus)
Dodo (& Chorus)
Cook  (& Chorus)
Works for the Duchess. Likes pepper.
Gryphon (& Chorus)
Half lion-half eagle.
Flora & Dora flowers (& Chorus)
Probably all the chorus
Sun & Moon (& Chorus)
Probably to be puppets.

























Audition Day Timetable
Sunday 3rd July 2011 10:15 am start
Rehearsals start on Friday 2nd September 2011 7:30pm sharp. They will run every Tuesday and Friday, and sporadic Sunday afternoons where possible from 2pm
Character audition
Time
Audition pieces
Alice
10:15am – 11am
Script: Act 1 pg 8-16, Hallway – Pool of Tears. Song: No 4 pg 14 “Curiouser and curiouser” AND song of own choice.(provide own backing track.)
White Rabbit
11am-11:30am
Script: Act 1 Pgs 34 – 38 Music hall scene. Song: No 2 “Oh my fur and whiskers”
Cheshire Cat
11:30am – 12pm
Script: Act 2 pg 49 – 51 Song: No 22 “I’m mad, You’re mad...” Other requirement: Movement demo
Mock Turtle
12pm – 12:30pm
Script: Pgs 71-72 The seashore Song: No 32 “Beautiful Soup”
Walrus & Carpenter
12:30pm – 1pm
No script reading required. Song: Act 1 sc 8 pgs 39 – 44.
30 mins LUNCH/CATCH UP/REVIEW
Caterpillar
1:30pm – 2pm
Script: Pg 25-28 Song: No 12 “When I become a butterfly”
Duchess
2pm – 2:30pm
Script: pg 29-31 Duchess’ kitchen and pg 68-69 court. Song: No 14 “Speak roughly”
Tweedledee/dum
2:30pm – 3pm
No script reading required Song: pg 37-38 Music hall scene.
Queen of Hearts
3:pm – 3:30pm
Script: Pgs 69-70 Trial scene. Song: No 27 “Off with your head” Other requirement: Execution voice
15 mins COMFORT BREAK/CATCH UP/REVIEW OF PRINCIPAL AUDITIONS
Chorus
3:45pm – finish
Script: No specific scene reading required at present. We will ask to hear groups of you read in order to establish suitable groups for part distribution. Song: No 1. “Opening and Down the rabbit hole.”




Important Audition Information. Please read this carefully.

  • All audition times are approximate, if we run early we will not begin a new audition until the allotted time.
  • If a session runs late we will not begin the next audition until we have seen everybody waiting for the previous audition.
  • Please arrive no more than 15 minutes before the audition time stated, report to the reception desk upon arrival to be given audition pieces, song sheets, and to be allocated a number.
  • You MUST audition alone unless stated or requested. (e.g. Tweedledee/dum, reading to compare groups for scenes.)
  • A private rehearsal/preparation space will be provided, but we will impose a strict time limit so it is fairly available for everyone.
  • Audition slots are given on a first-come-first-seen basis.
  • A passport sized picture will be useful for us, please bring one if you can.
  • Once you have completed your audition(s) you must return your audition materials to reception and leave the theatre immediately.
  • If you have auditioned for a principal role you DO NOT have to audition for a chorus role, you will be automatically considered.
  • Other minor speaking/singing roles will be distributed among the unsuccessful principal auditions and stronger chorus auditions.
  • Please come prepared with any dates, including holidays that you cannot make and so will prevent you from attending rehearsals.
  • We will let you know if you have OR have not been successful by phone by the end of the day.

If you cannot make the main auditions at all please inform Ellie or Simon immediately to make other arrangements.
If you can only do before/after a certain time we will do our best to squeeze you in on the day.























Tuesday, 24 May 2011

Dick Whittington, The results....

First of all a huge thankyou to all who auditioned and made choosing such a hard job, it was wonderful to get such a great response.
Congratulations to the following;

Dick Whittington- Amelia Lakin
Alice- Louisa Ford
Alderman- David Goode
King Rat- Steve Carley
Nip- Natalie Bull
Tuck- Kate Goode
Dame- Mike Richter
Long John Tin Foil- Tam Weir
Spirit- Glynis Smith 
Tiddles- Beth Rutter
Barrow Boy Billy- Jo Lush
Adult Chorus-Sandra Luff, Janet Sinclair, Louise Rutter,Melanie Jeffrey, Sarah Smith, Sarah Earl, Sophie Handy, Jenny Tranter, Jan Weir, Carol Lawton, Ange Parry. Graeme Sinclair, Matt Jeffrey, Sam Jeffrey, Luke Rathbone.
Junior Chorus-Callum Weir, Thomas Tunstall, Josh Sinclair, Zak Alsop, Chloe Earl, Charlie Walters, Kayleigh Barker, Beth Rabjohn, Alisha-Morgan James, Molly Little, Erin Maiden, Daisy Gwinn, Beth Smith, Megan Earl, Abbie Bott, Phoebe Walton, Grace Duggan and Eleanor Bates.

Monday, 9 May 2011

You're a Good Man Charlie Brown

You’re a Good Man Charlie Brown
**Important please note change of audition date**

A program note says that the time of the action is “an average day in the life of Charlie Brown.” It really is just that, a day made up of little moments picked from all the days of Charlie Brown, from Valentine’s Day to the baseball season, from wild optimism to utter despair, all mixed in with the lives of his friends (both human and non-human) and strung together on the string of a single day, from bright uncertain morning to hopeful starlit evening.
CHARACTERS

Charlie Brown (Baritone/Tenor)
feels sorry for himself, lacks initiative, philosophical in a pessimistic way

Lucy (Mezzo/Alto)
overbearing, brutally honest, says what she thinks without thought to social boundaries

Schroeder (High Baritone/Tenor)
Lucy's reluctant boyfriend, a sensitive musician

Linus (Baritone/Tenor)
Lucy's little brother, fanatical about his blanket

Sally Brown (Soprano/Mezzo)
Charlie's little sister

Snoopy (Tenor/Baritone)
Imaginative!

SONGS

Act One
•     "You're A Good Man, Charlie Brown"                       (Company)
•     "Schroeder"                                                                      (Lucy, Schroeder)
•     "Snoopy"                                                                          (Snoopy)
•     "My Blanket and Me"                                                   (Linus)
•     "The Kite"                                                                        (Charlie Brown)
•     "The Doctor Is In"                                                          (Lucy, Charlie Brown)
•     "Beethoven Day"                                                           (Schroeder, Company)
•     "Rabbit Chasing"                                                            (Sally, Snoopy)
•     "Book Report"                                                                (Charlie Brown, Lucy, Linus, Schroeder)

Act Two
•     "The Red Baron"                                                            (Snoopy)
•     "My New Philosophy"                                                   (Sally, Schroeder)
•     "T.E.A.M. (The Baseball Game)"                                (Charlie Brown, Company)
•     "Glee Club Rehearsal"                                                   (Company)
•     "Little Known Facts"                                                      (Lucy, Linus, Charlie Brown)
•     "Suppertime"                                                                   (Snoopy)
•     "Happiness"                                                                     (Company)

Auditions         SUNDAY June 19th 1pm till 3.30pm (please note this is a change from the advertised date of Sat 18th)

Performances October 6th, 7th and 8th (2.30pm and 7.30pm)

Rehearsals     

Will begin in July on Tuesdays plus another day to be decided dependant on cast availability

For more information please contact Lizzie McCabe 07787 346633 / liz.mccabe@sky.com

Monday, 18 April 2011

And Then There Were None - September 2011

The Norbury Players - Audition Notice
“And Then There Were None”
By Agatha Christie
Ten people are invited by an unknown host to a lonely house on a remote island. A mysterious voice accuses each of them of murder. First one and then another dies, and the tension grows as they realize that the killer is one of them, and more deaths are bound to follow...

After the success of “Murder on the Nile” last year, the Norbury Players are again staging a “Christie in September” production at the Norbury Theatre.
Performance dates are Wednesday 14th September to Saturday 17th September 2011 (four performances) at 7-30pm.
Rehearsals will be 2 days per week (Monday and Wednesday but to be finalised depending on availability of cast) starting 18th July, with Sundays from 21st August.
There will be read-throughs on the dates below, with the play being cast from these. Let me know if you are not available but would still like to be considered for a part, and I will try to arrange a suitable time to meet.
Scripts are available for reading now – please contact me.
Tuesday         3     May         7-30pm          Skylight Room
Thursday      5     May         7-30pm          Skylight Room
Monday         9     May         7-30pm          Skylight Room
Wednesday   11  May          7-30pm          Skylight Room
You will see from the listing overleaf that there is a cast of 11, with some lovely character parts. If cast, you will need to be a member of the Norbury Theatre from the start of rehearsals. There will also be a costume levy of £15 for all performers.
Please get in touch with Ann, Kate or myself if you would like to be involved in any way in this wonderful period thriller. We look forward to hearing from you.                                                 

David                                                 18 April 2011
Play will be directed by                    David Goode (01527 821080) (07767 437333)
Assistant director                              Ann Blyther (01905 772926)
Assisted by                                         Kate Goode (01527 821080)


The Characters are:
Narracot                                Male, and of venerable age.
A crusty old sea dog. Has a few lines at the start of the play, possibly with a good old Cornish accent.

Rogers                                    Male. 40s to 60s.
A competent experienced manservant (but not a formal butler). Quick, deft, and a little shifty. Married to Mrs Rogers.

Mrs Rogers                            Female. 40s to 60s
Thin, worried, and frightened, she is Rogers’ wife and is chief cook and bottle washer. Between them they need to show a married couple that have been in service together for many years.

Vera Claythorne                  Female. 20 – 40                                
Charismatic, with a love of life. An efficient secretary.
An important leading role.

Captain Philip Lombard    Male. About 10 years older than Vera.
Handsome, self-confident and tanned, with a swashbuckling approach to saving the world. Admires the ladies.
An important leading role.

Anthony Marston                Male. 20s                               
Young, rich, spoiled, energetic, and not very bright. Full of life – well, for a little while... Nice character part.

William Blore                       Male. Middle Aged.
Thick set with loud clothes he gives a rather poor impression of a South African gold magnate. He is soon rumbled...

General John McKenzie     Male. Getting on a bit.
Upright soldierly old man, with a gentle face. More accustomed to his London Club.
Rather tired in his later years, with a tendency to lie down and die. In fact, he does...
Lovely part to play.

Emily Brent                           Female. 50s to 70s
Tall, thin, spinster with a disagreeable suspicious face. Has fixed ideas and outlook, with a religious zeal. But still accused of murder along with the rest.

Sir Lawrence Wargrave     Male. 50s to 70s
Used to be a judge, and has that authoritative air about him. Darts his head like a tortoise, missing nothing. Needs a strong actor to make the most of this part.

Dr Edward Armstrong        Male. 50s
Fussy, tense, tired and slow. He is a nerve specialist and has learned much from personal experience.