Tuesday, 13 September 2011

Hi-de-Hi!

Hi-de-Hi!

Synopsis
Hi-de-Hi was a sitcom that aired on BBC1 in the 1980s. It is set in Maplins Holiday Camp owned by entrepreneur Joe Maplin in the fictional seaside town of Crimpton-on-Sea during the 1950s and 1960s. It was written by Jimmy Perry and David Croft, who also wrote Dad’s Army and It Ain’t Half Hot Mum.
The title (hi-de-hi) was the phrase used to greet the campers. The play surrounded the lives of the camp’s management and entertainers; it is loosely based on Butlins, but the redcoats are replaced with ‘yellow coats’.
All characters play an important part in the plots and, although some characters have more lines than others, all characters have a chance to shine throughout all show.
Hi-de-hi has been described as a summer pantomime and, although not as slapstick, it certainly has something for everybody and should go down well with audiences. So, why don’t you come along and have a go? I promise you won’t be disappointed and I am sure you will have some fun too!

Information and dates
The show will be directed by Tony Catchpowle and produced by Steve Carley. We are both very excited about the show and are sure it will be a great hit. So why don’t you come along audition. We have both done auditions before and know how nerve racking it can be, so we will try and make it as stress-free as possible.
If you have any questions or just want to have a chat about the show, give us a call or drop us an email.
Tony Catchpowle: 07920 532306 (mobile), hawfordstables@btinternet.com (email).
Steve Carley: 07968 478974 (mobile), stevecarley@talktalk.net (e-mail)

Performances
Thursday, April 19th – Saturday 21st and Thursday, April 26th – Saturday 28th, 2012, at 7.30pm.

Rehearsals
Mondays and Thursdays.

Read-through
Thursday, November 10th, 2011 – 7.30pm.

Auditions
Sunday, November 20th, 2011 – 10am to 4pm.
If cast you will need to be a member of the theatre or complete an application form and pay the necessary fee at the time of the first rehearsal. All members of the cast are required to pay the £15.00 show levy. This levy will be collected during the first 'get together' / rehearsal.

Characters - The Management
Jeffrey Fairbrother, Entertainment Manager(Age 35-55)
Once a Cambridge professor and joined Maplins Holiday Camp as Entertainment Manager, hoping it would give him an insight into the lives of everyday people; however, he fails to connect with campers and the entertainment staff. He is an honest and forthright man and often embarrassed by Ted Bovis’s toilet humor and schemes to scam the campers. 

Gladys Pugh, Chief Yellow coat / Sports Organiser – (Age 25- plus) 
Passionately in love with Jeffrey Fairbrother, although he does not reciprocate this. Gladys dislikes all of the other female yellow coats, Sylvia Garnsey in particular, who she sees as competition in her fight for Fairbrother’s affections. Like Fairbrother, she also disapproves of Ted’s schemes to scam the campers, even though she secretly has her own scheme selling reconditioned tennis balls. There is one scene where she helps a drunken Jeffery back to his chalet. The following morning he awakes with no memory of the previous night but finds Gladys’ bra in his bed!


Entertainment Staff
Ted Bovis - Camp Host – (30- plus)
Ted is the camp’s host and is very popular with the campers and has a dry sense of humour. He runs all the entertainment events, supported by Spike. He hates his job at Maplins as he believes his talents are wasted on the lower classes who holiday there, but his scams to cheat the campers out of money, which include fake birthdays, raffles, fund-raisers and rigged bingo, always seem to raise a smile. However, when is ex-wife arrives to try and extract some money from him, both Ted and his colleagues have to go into over-drive on the scams.

Spike Dixon Camp Comic (20-35)
Spike often tries to branch out into his own style of comedy, designing and making his own costumes and funny sequences. These receive mixed reactions from the campers, but Ted criticises almost all of them. He is an incredibly honest and law-abiding man and is the only member of the entertainment staff who doesn’t run his own scheme to scam the campers for money. Spike and Ted are well-acquainted and there are humorous scenes between the pair as they try to keep the campers and Jeffrey Fairbrother happy.

Fred Quilley Riding Instructor – (25 plus)
Fred was once a qualified jockey but lost his license after being caught in a horsebox with a syringe and now works for Maplins as the riding instructor. He shares a chalet with Mr Partridge, even though they both hate each other - Fred hates Partridge smelling of alcohol and Partridge hates Fred smelling of horses.

Yvonne Stuart-Hargreaves - Dancing Instructor – (25 plus)
Yvonne is incredibly supercilious and believes she is socially above all other members of the entertainment staff, with the exception of Jeffrey Fairbrother. It is questionable why she actually works at Maplins as she believes it to be a “dreadful, common place”. She always tries to keep her dignity and high-class values while at Maplins, but this is not made easy when she is forced to participate in the entertainment events with husband Barry. She dislikes most of the entertainment staff, Ted Bovis and Mr Partridge in particular.

Barry Stuart-Hargreaves, Dancing Instructor – (25 plus)
Barry took Yvonne’s last name for the sake of their careers and is often heavily criticised by Yvonne for his etiquette, which annoys him intensely. Although his official jobs are to teach dance and give ballroom demonstrations, Barry is regularly chosen against his will to be the victim of the campers in the entertainment events. As a ballroom dancer, Barry can be a bit camp at times.

Mr Partridge -Children's Entertainer – (55 plus)
Mr Partridge is the eldest member of the entertainment staff and the only one to be called by his last name out of respect to for Victorian values. He entertains the camper’s children performing Punch and Judy shows and magic tricks, but over the years has become dispirited by the lack of respect he receives from the increasingly bad-mannered children who stay at the camp. Therefore, he slips into seasonal alcoholic benders and regularly takes it upon himself to discipline the unruly children.
Yellowcoats
Sylvia Garnsey (20 plus)
Known for her long legs and attractive appearance, she regularly clashes with Gladys over Jeffrey Fairbrother. Sylvia is a qualified swimming instructor and enjoys flirting.

Gary Bolton (20 plus)
A very vain man, obsessed with women and his appearance and spends most of his time pruning himself, but he is showing signs of wear.

Tracy Bentwood – (20 plus)
The attractive brunette and former club champion in tennis who was also a league basketball player. Like most of the yellow coats, she also clashes with Gladys several times. 

Hilary Bovis (Ted Bovis ex-wife) (20 plus)
Very bossy lady and can be played by one of the female yellow coats as she only has one scene.

Peggy Ollerenshaw - Chalet Maid – (20 plus)
Always aspiring to be a yellow coat. In addition to her regular duties, she often helps out the entertainment staff and can always be seen in the evenings in the Hawaiian ballroom enjoying (and often joining in with) the evening entertainments. She frequently tries to get involved in the entertainment events, but is always stopped by Gladys, who forbids Peggy’s involvement because she is not on the staff. 

Outside Edge

AUDITION NOTICE
OUTSIDE EDGE
By Richard Harris

Directed by Mike Jeffrey

AUDITIONS: Sunday 9 and Sunday 16 October 2011 at 10.00am

PRODUCTION Wednesday 22 to Saturday 25 February 2012

Synopsis
This well loved comedy revolves around the efforts of Roger, the captain of a local cricket club, to assemble his team for the vital match against British Railways Maintenance Division, Yeading East. The difficulties he encounters, on and off the pitch, are compounded by rivalries between team members and their complicated relationships with wives and girl friends. And then it starts to rain!!

Cast (Audition pieces in brackets. All ages are indicative only)

Roger (pp 1-4 and 72/74)
Age 35-40. Totally focussed on game; pushy and rather humourless.

Miriam (pp 1-4 and 72/74)
Age 35-40. Roger’s loyal, hardworking, long-suffering wife: dedicated to him and his cricket.

Bob (pp 40-41 and 68/69 )
Age 39. A restless, guilt-ridden man torn between his ex and present wives.

Ginnie (pp 40-41 and 68/69)
Age mid-30s. Bob’s (second) wife. An attractive lady whose languid manner (courtesy of Valium) belies her despair.

Dennis (pp 9-11 and 54)
Age mid 40s. Self-made man with ‘improved’ accent. The team’s ‘Lothario’.



Kevin ((pp 12-15 and 21-23)
Age early 30s. A short, untidy, world-weary man. Adores Maggie but they constantly bicker.

Maggie (pp 12-15 and 21-23)
Age early 30s. A large, untidy, but sexy lady with glasses and a large fur coat. Speaks her mind and adores Kevin.

Alex (pp 32-33)
Age early 20s. Self-centred, good looking, public school boy with little depth.

Sharon (pp 30, 53, 55-56)
Age 19. Stunning (blonde) girl with little up top. Out of her depth and desperate.

If cast you will need to be a member of the theatre or complete an application form and pay the necessary fee at the time of the first rehearsal. All members of the cast are required to pay the £15.00 show levy. This levy will be collected during the first 'get together' / rehearsal.

Scripts from Mike Jeffrey on 0784 1011250 (scripts will be available from 1st October onwards)

Saturday, 11 June 2011

Alice in Wonderland

Audition Notice
The Norbury Youth Theatre are holding auditions for this year’s show, Alice In Wonderland. If you are aged between 14 and 18, interested in singing, dancing or acting, we want to hear from you!
Audition Date: Sunday 3rd July 2010   Time: starts 10am. See part details for further information
Show Dates: Wednesday 16th November – Saturday 19th November 2010
Rehearsal Information: Tuesday and Friday evenings (7:30pm – 10 approx) and Sunday afternoons as arranged (2pm – finish, usually approx 5:30pm). There is a schedule so not everyone will be needed for every rehearsal.
Parts Information

Individual Auditions
Description
Audition Pieces
Alice
A brave girl thrown into a world of neither here nor there. On stage at all times. Lots of singing/dialogue.
Script: Act 1 pg 8-16, Hallway – Pool of Tears.
Song: No 4 pg 14 “Curiouser and curiouser” AND song of own choice.
White Rabbit
In most scenes. Some solo singing and some with chorus/other cast..
Script: Act 1 Pgs 34 – 38 Music hall scene.
Song: No 2 “Oh my fur and whiskers”
Cheshire Cat
Alice’s guide through Wonderland. Smaller principal role appearing throughout. Singing. Acrobatic/Gymnastic/Dancing abilities, and joint flexibility would be an advantage.
Script: Act 2 Sc1 pg 49 – 51 Wonderland
Song: No 22 “I’m mad, You’re mad...”
Other requirement: Movement demo
Mock Turtle
Act 2 sc5 only, but has 2 songs, dances and has dialogue throughout.
Script: Pgs 71-72 The seashore
Song: No 32 “Beautiful Soup”
Walrus & Carpenter
Will be seen in pairs and asked to read for both parts.
No script reading required.
Song: Act 1 sc 8 pgs 39 – 44.
Caterpillar

Script: Pg 25-28
Song: No 12 “When I become a butterfly”
Duchess

Act I + 2.Sings. Would suit female or male. Male would be in drag either as a panto dame type, or something more feminine and convincing.
Script: pg 29-31 Duchess’ kitchen and pg 68-69 court.
Song: No 14 “Speak roughly”

Tweedledum/dee
Act II Music Hall Scene Only. Two interchangeable actors. Either as identical, or as different as possible. Pair MUST be attached together as if in a 3-legged race. NB: You must audition as a double act, however we reserve the right to pick two individuals from other auditions.
No script reading required
Song: pg 37-38 Music hall scene.
Other requirements: Pre-rehearsed double act, optional.
Queen of Hearts
Act II. A Masterful woman, unwilling to listen to reason. Unhealthy obsession with beheading.
Script: Pgs 69-70 Trial scene.
Song: No 27 “Off with your head”
Other requirement: Execution voice











































The following parts will be picked from the unsuccessful principal auditions and the strongest chorus auditions. The Chorus will form the other residents of Wonderland, backing vocal groups, dancers and more.



Chorus Audition
Description
Audition Piece
Mad Hatter (& Chorus)
Work together in scene.
You may have to read to see what works.






Script: TBC depending on parts and groups.

Song: No 1. Opening and Down the rabbit hole.
March Hare (& Chorus)
Blackouts (& Chorus)
Used throughout, constantly onstage. Furniture and puppeteers. Will be required to give lines in places, and sing with the chorus, or as puppets – Oysters.
Doormouse & Baby (Puppets)
(& Blackout)
One “Blackout” to operate the puppets for the characters and give them a voice.
Lady in Waiting (& Chorus)
Queen’s PA
King of Hearts (& Chorus)
Queen’s husband, needs to “man up”
Knave of Hearts (& Chorus)
He stole those tarts...
French Mouse (& Chorus)

Will work together in scenes.
You may have to read to see what works.
Duck (& Chorus)
Lory (& Chorus)
Dodo (& Chorus)
Cook  (& Chorus)
Works for the Duchess. Likes pepper.
Gryphon (& Chorus)
Half lion-half eagle.
Flora & Dora flowers (& Chorus)
Probably all the chorus
Sun & Moon (& Chorus)
Probably to be puppets.

























Audition Day Timetable
Sunday 3rd July 2011 10:15 am start
Rehearsals start on Friday 2nd September 2011 7:30pm sharp. They will run every Tuesday and Friday, and sporadic Sunday afternoons where possible from 2pm
Character audition
Time
Audition pieces
Alice
10:15am – 11am
Script: Act 1 pg 8-16, Hallway – Pool of Tears. Song: No 4 pg 14 “Curiouser and curiouser” AND song of own choice.(provide own backing track.)
White Rabbit
11am-11:30am
Script: Act 1 Pgs 34 – 38 Music hall scene. Song: No 2 “Oh my fur and whiskers”
Cheshire Cat
11:30am – 12pm
Script: Act 2 pg 49 – 51 Song: No 22 “I’m mad, You’re mad...” Other requirement: Movement demo
Mock Turtle
12pm – 12:30pm
Script: Pgs 71-72 The seashore Song: No 32 “Beautiful Soup”
Walrus & Carpenter
12:30pm – 1pm
No script reading required. Song: Act 1 sc 8 pgs 39 – 44.
30 mins LUNCH/CATCH UP/REVIEW
Caterpillar
1:30pm – 2pm
Script: Pg 25-28 Song: No 12 “When I become a butterfly”
Duchess
2pm – 2:30pm
Script: pg 29-31 Duchess’ kitchen and pg 68-69 court. Song: No 14 “Speak roughly”
Tweedledee/dum
2:30pm – 3pm
No script reading required Song: pg 37-38 Music hall scene.
Queen of Hearts
3:pm – 3:30pm
Script: Pgs 69-70 Trial scene. Song: No 27 “Off with your head” Other requirement: Execution voice
15 mins COMFORT BREAK/CATCH UP/REVIEW OF PRINCIPAL AUDITIONS
Chorus
3:45pm – finish
Script: No specific scene reading required at present. We will ask to hear groups of you read in order to establish suitable groups for part distribution. Song: No 1. “Opening and Down the rabbit hole.”




Important Audition Information. Please read this carefully.

  • All audition times are approximate, if we run early we will not begin a new audition until the allotted time.
  • If a session runs late we will not begin the next audition until we have seen everybody waiting for the previous audition.
  • Please arrive no more than 15 minutes before the audition time stated, report to the reception desk upon arrival to be given audition pieces, song sheets, and to be allocated a number.
  • You MUST audition alone unless stated or requested. (e.g. Tweedledee/dum, reading to compare groups for scenes.)
  • A private rehearsal/preparation space will be provided, but we will impose a strict time limit so it is fairly available for everyone.
  • Audition slots are given on a first-come-first-seen basis.
  • A passport sized picture will be useful for us, please bring one if you can.
  • Once you have completed your audition(s) you must return your audition materials to reception and leave the theatre immediately.
  • If you have auditioned for a principal role you DO NOT have to audition for a chorus role, you will be automatically considered.
  • Other minor speaking/singing roles will be distributed among the unsuccessful principal auditions and stronger chorus auditions.
  • Please come prepared with any dates, including holidays that you cannot make and so will prevent you from attending rehearsals.
  • We will let you know if you have OR have not been successful by phone by the end of the day.

If you cannot make the main auditions at all please inform Ellie or Simon immediately to make other arrangements.
If you can only do before/after a certain time we will do our best to squeeze you in on the day.